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Adrian Bryce Taylor

Architecture
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Art, Architecture, Design, Digitally.

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Adrian Bryce Taylor

  • Approach
  • Places
  • Spaces
  • Artefacts
  • Systems
  • Thoughts
  • CV
  • Contact

AIATSIS - A Virtual and Physical network for aboriginal knowledge conservation.

January 4, 2021 Adrian Taylor

Though AIATSIS is not a single 'place', as an organisation it provides a decentralised resource that exposes knowledge may have otherwise been unseen.

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In Reflection

Barangaroo Headlands - Restored or simply a prosthetic?

December 21, 2020 Adrian Taylor

The headland redevelopment itself is a significant change to the site; Though it is by no means a reinstatement of what had been their, being mostly a concrete shell concealing the 'cutaway' and a carpark, it is an acknowledgement of the countries character previous to colonialisation.

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In Reflection

Cultural competency and reflecting on place.

December 9, 2020 Adrian Taylor

I did not properly acknowledge the land, and in honesty its beauty and history, until my adulthood. Looking back, the built forms, the spaces between coasts and the remaining national park jammed between quarantine and defunct military instillation are of little importance.

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In Reflection

Artist Vignette - Lucie Rie

October 6, 2020 Adrian Taylor

In this review, we look to Lucie Rie, an Austrian-born British potter well known for her glaze treatments and Sgraffito ornamentation. In this issue, we have a simple thrown vessel with hand built grip reminiscent of a Turkish coffee pot.

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In Art, Review

Artist Vignette - Jane Hamlyn

June 9, 2020 Adrian Taylor

In this article we have a rare treat, a near identical pair, a Bisque fired demonstration item and its fully glazed and fired counterpart. The two are prepared and authored by Jane Hamlyn, "a pioneer in saltglaze revival" as stated by David Whiting.

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In Art, Review

Artist Vignette - Mary Rogers

May 6, 2019 Adrian Taylor
Mary Rogers, Small porcelain form/copper, iron & cobalt decoration/oxidised Firing. Courtesy of the Ceramic Study Group

Mary Rogers, Small porcelain form/copper, iron & cobalt decoration/oxidised Firing.
Courtesy of the Ceramic Study Group

Mary Rogers is known for her hand coiled works that celebrate organic forms through her many studies of aquatic and terrestrial motifs. The piece we look at today appears worn by tide, a delicate dappling of blue dance between deep bruising.

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In Art, Review
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